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1100-tallet - bibliografi forår 2007

Hildegard von Bingen

Hildegard von Bingen (eds.: P. Barth, I. Ritscher & J. Schmidt-Görg): Lieder. Salzburg 1969

Hildegard of Bingen (Christopher Page, ed.): Sequences and Hymns. (Antico Church Music 1), London 1982

Barbara Newman: Saint Hildegard of Bingen. A Critical Edition of the »Symphonia armonie celestium revelationum«. With Introduction, Translation snd Commentary by Barbara Newman. Ithaca 1988

Ian D. Bent and Marianne Pfau: ‘Hildegard of Bingen’ Grove Music Online

Jürg Stenzl: ‘Wie hat „Hildegard vom Disibodenberg und Rupertsberg” komponiert? Ein analytischer Versuch mit den E-Antiphonen und dem Ordo Virtutum’ Archiv für Musikwissenschaft 64 (2007) s. 179-210

Himmelstorm - Hildegard von Bingens visioner - et undervisningsmateriale til filmen, Det Danske Filminstitut, 2000 http://www.dfi.dk/dfi/undervisning/hildegard/index.htm

Barbara Newman (ed.): Voice of the Living Light. Hildegard of Bingen and Her World. Berkeley (U. of California Press) 1998

Olivia Carter Mather: ‘The Music of Hildegard von Bingen' i On-line Reference Book for Medieval Studies (2003) http://www.the-orb.net/encyclop/culture/music/mather.htm

Barbara Newman: ‘»Sibyl of the Rhine« Hildegard’s Life and Times’ i Barbara Newman (ed.): Voice of the Living Light. Hildegard of Bingen and Her World. Berkeley (U. of California Press) 1998, s. 1-29

Margot Fassler: ‘Composer and Dramatist. »Melodious Singing and the Freshness of Remorse«’ i Barbara Newman (ed.): Voice of the Living Light. Hildegard of Bingen and Her World. Berkeley (U. of California Press) 1998, s. 149-75

John Van Engen: ‘Letters and the Public Persona of Hildegard’ i Alfred Haverkamp (ed.): Hildegard von Bingen in ihrem historischen Umfeld. Internationaler wissenschaftlicher Kongreß zum 900jâhrigen Jubilâum, 13.-19. September 1998, Bingen am Rhein. Mainz 2000, s. 375-418

Barbara Stühlmeyer: Die Gesänge der Hildegard von Bingen. Eine musikologische, theologische und kulturhistorische Untersuchung. Hildesheim (Olms) 2003

Bernhard McGinn: ‘Hildegard of Bingen as Visionary and Exegete’ i Alfred Haverkamp (ed.): Hildegard von Bingen in ihrem historischen Umfeld. Internationaler wissenschaftlicher Kongreß zum 900jâhrigen Jubilâum, 13.-19. September 1998, Bingen am Rhein. Mainz 2000, s. 321-50

Inge Brink Hansen: Hildegard von Bingen og middelalderens musikopfattelse (Speciale 1994, Musikvidenskabeligt Institut, Københavns Universitet)

Kirsten Kjærulff: Den ildfyldte Kraft. Middelalderens mystik hos Hildegard af Bingen. Kbh 1992

Peter Dronke: The Medieval Lyric. London (1968), 3. ed. 1996

Richard Witts: ‘How to make a saint. On interpreting Hildegard of Bingen’ Early Music 26 (1998) s. 479-85

June Boyce-Tillman: ‘Hildegard of Bingen at 900. The Eye of a Woman’ The Musical Times, Vol. 139, No. 1865. (Winter, 1998), pp. 31-36

Kirsten Kjærulff & Hans Jørgen Frederiksen: Det Levende Lys. Billeder af Hildegards visioner. Kbh 1998

Anette Kreutziger-Herr: ‘Hildegard of Bingen conference’ Early Music 27 (1999) s. 156-57

Bruce Wood Holsinger: ‘The Flesh of the Voice: Embodiment and the Homoerotics of Devotion in the Music of Hildegard of Bingen (1098-1179)’ Signs, Vol. 19, No. 1. (Autumn, 1993), pp. 92-125

Barbara Finlay: ‘The Origins of Charisma as Process: A Case Study of Hildegard of Bingen’ Symbolic Interaction 25 (2002) s. 537-54

Anne Bagnall Yardley: ‘»Ful weel she soong the service dyvyne«: The Cloistrered Musician in the Middle Ages’ i: Jane Bowers and Judith Tick (eds): Women Making Music. The Western Art Tradition 1150-1950. Basingstoke 1986, s. 15-38

Peter Dronke: Poetic Individuality in the Middle Ages (Westfield Publications in Medieval Studies 1). London (1970), 2. ed. 1986 (Introduction & Ch. V Hildegard of Bingen)

Bain, Jennifer. ‘Hildegard on 34th Street: Chant in the Marketplace.’ Echo: A Music-Centered Journal 6.1 (Spring 2004). Apr. 28, 2005
<http://www.echo.ucla.edu/volume6-issue1/bain/bain1.html>.

Gregoriansk sang

Finn Egeland Hansen: ‘Den gregorianske kirkesang’ i Gads Musikhistorie. København 1990, s. 16-47.

David Hiley: Western Plainchant: A Handbook. Oxford 1993 (paperb. 1995)

Graduale romanum, Tournai 1961

Antiphonale sacrosanctae romanae ecclesiae. Tournai 1949

Richard L. Crocker: An Introduction to Gregorian Chant. New Haven (Yale University Press) 2000

Leo Treitler: With Voice and Pen. Coming to know Medieval Song and How It Was Made. Oxford (UP) 2003

Troubadourer

Elizabeth Aubrey: The Music of the Troubadours. Bloomington (Indiana UP) 1996 (PB 2000)

Hendrik van der Werf & Gerald A. Bond: The Extant Troubadour Melodies. Rochester 1984

F.R.P. Akehurst & Judith M. Davis (eds.): A Handbook of the Troubadours. Berkeley 1995 - heri især Hendrik van der Werf: ‘Music’ og Moshe Lazar: ‘Fin’amor’.

Simon Gaunt & Sarah Kay (eds.): The Troubadours. An Introduction. Cambridge (UP) 1999.

Maria V. Coldwell: ‘Jougleresses and Trobairitz. Secular Musicians in Medieval France’ i: Jane Bowers and Judith Tick (eds): Women Making Music. The Western Art Tradition 1150-1950. Basingstoke 1986, s. 39-61

John Haines: Eight Centuries of Troubadours and Trouvères. The Changing Identity of Medieval Music. (Cambridge (UP) 2004

Hendrik van der Werf: The chansons of the troubadours and trouvères. Utrecht 1972.

Nils Gunder Hansen: Den høviske kærlighed. Om kærlighedens opkomst i det 12. århundredes provençalske troubadourlyrik. (Semiotik nr. 10/11) København 1985

Kai Aalbæk-Nielsen: Kærlighed i middelalderen (I tidens ånd 2). København (Gyldendal) 2000

Enkel polyfoni og organum

Hendrik van der Werf: The Oldest Extant Part Music And The Origin of Western Polyphony I-II. Rochester 1993.

Leo Treitler: With Voice and Pen. Coming to know Medieval Song and How It Was Made. Oxford (UP) 2003

Anna Maria Busse Berger: Medieval Music and the Art of Memory. Berkeley (Univ. of Californai Press) 2005

Fritz Rechow (E.H. Roesner) & Rudolf Flotzinger: Artikel ‘Organum’ i Stanley Sadie (ed): The New Grove Dictionary of Music and Musicians. Second Edition. London 2001, Vol. 18 s. 671-83

Rudolf Flotzinger, Ernst H. Sanders (Peter M. Lefferts): Artikel ‘discant’ i Stanley Sadie (ed): The New Grove Dictionary of Music and Musicians. Second Edition. London 2001, Vol. 7 s. 366-74

Leo Treitler: ‘Cantus planus binatim in Italy and the Question of Oral and Written Tradition in General’ i Cesare Corsi e Pierluigi Petrobelli (eds.): Le polifonie primitive in Friuli e in Europa. Atti del congresso internazionale Cividale del Friuli, 22-24 agosto 1980 (Miscellanea musicologica 4) Roma 1989, s. 145-61

Peter Woetmann Christoffersen: Om enkel flerstemmighed til udsmykning af kirkesangene

Almen musikhistorie mm.

Richard H. Hoppin: Medieval Music. New York 1978

Richard H. Hoppin: Anthology of Medieval Music. NewYork 1978

Leo Treitler: With Voice and Pen. Coming to know Medieval Song and How It Was Made. Oxford (UP) 2003

Knighton, Tess & Fallows, David (eds.): Compagnion to medieval and renaissance music. London 1992 (semesterhylde)

James McKinnon (ed.): Antiquity and the Middle Ages. From Ancient Greece to the 15th century. (Man & Music) London 1990

Christopher Page: The Owl and the Nightingale. Musical Life and Ideas in France, 1100-1300. London 1989

Christopher Page: Discarding Images. Reflections on Music and Culture in Medieval France. Oxford 1993 (især Ch. I ‘Cathedralism' (s. 1-42)

Michael Nordberg: Den dynamiske middelalder. København (Forlaget Per Kofoed) 1987 (svensk: 1984)

E.H. Gombrich: Kunstens historie. København (Gyldendal) 1997

Dorthe Jørgensen: Skønhedens Metamorfose. De æstetiske idéers historie. Odense (Syddansk Universitetsforlag) 2001, s. 169-91

Peter Dinzelbacher: Europa im Hochmittelalter 1050-1250. Eine Kultur- und Mentalitätsgeschichte. Darmstadt (WBG) 2003

Improvisation

Bruno Nettl, Rob C. Wegman & Imogen Horsley: Artikel ‘Improvisation’ (kun del I og II.1-2) i Stanley Sadie (ed): The New Grove Dictionary of Music and Musicians. Second Edition. London 2001, Vol. 12 s. 94-102

Opførelsespraksis, autencitet og videnskabshistorie

Daniel Leech-Wilkinson: The Modern Invention of Medieval Music. Scholarship, Ideology, Performance. Cambridge (Cambridge UP) 2002 (se også Jeremy Llewellyn: Anmeldelse af Daniel Leech-Wilkinso i Early music 32 (2004) s. 135-38)

John Haines: Eight Centuries of Troubadours and Trouvères. The Changing Identity of Medieval Music. (Cambridge (UP) 2004

Nicholas Kenyon (ed.): Authenticity and Early Music. A Symposium. Oxford (OUP) 1988

Richard Taruskin: Text and act: essays on music and performance. New York (Oxford UP) 1995

John Butt: Playing with history. The Historical Approach to Musical Performance. Cambridge (Cambridge UP) 2002

Om hukommelsens og beherskelse af memotekniks betydning for middelalderens lærdom og kunst

Mary J. Carruthers: The Book of Memory. A Study in Medieval Culture. Cambridge (UP) 1990 (PB 2003)

Anna Maria Busse Berger: Medieval Music and the Art of Memory. Berkeley (Univ. of Californai Press) 2005

Analyse og teori

Everist, Mark (ed.): Music before 1600 (Models of musical analysis). Oxford 1992.

Thomas Christensen (ed.): The Cambridge History of Western Music Theory. Cambridge 200

Sarah Fuller: ‘Organum – discantus — contrapunctus in the Middle Ages’ i Thomas Christensen (ed.): The Cambridge History of Western Music Theory. Cambridge 2002, s. 477-502